Estetika ružnoće u Janka Polića Kamova

master's thesis

• Title (english): The Aesthetics of the Uglines in the Janko Polić's Kamov Writings
• Author: Matea Stanić
• Mentor: Davor Piskač (mentor)
• Committee member: Dubravka Zima (predsjednik povjerenstva)
• Committee member: Suzana Marjanić (član povjerenstva)
• Committee member: Davor Piskač (član povjerenstva)
• Granter: University of Zagreb; Faculty of Croatian Studies; (Department of Croatology); Zagreb
• Defense date and country: 2018-09-17, Croatia
• Scientific / art field, discipline and subdiscipline: INTERDISCIPLINARY AREAS OF KNOWLEDGE; Croatian Studies

Abstract

Stilska dotjeranost, idealni vječne i harmonične ljepote, kanoni pristojnog i elegantnog piščeva izražavanja te prikazivanje zbilje i vlastitih unutarnjih doživljaja u skladu s estetskim načelima tradicionalnih književnih struktura oduvijek su bili gotovo pa najvažniji kriteriji na temelju kojih je vrednovano određeno književno djelo. Međutim, pojavom avangarde i njezina poimanja umjetnosti, funkcija i vrijednost estetske idealizacije postaju stvar prošlosti, tj. lažna ljepota predstavlja isključivo neautentičnost i lažni umjetnički angažman koji vlastitu originalnost i vrijednost ni ne posjeduje. Upravo je istinski avangardist, Janko Polić Kamov, svjesno ili nesvjesno, njegovao i čvrsto zastupao avangardno negiranje postojećih književnih oblika (poetika osporavanja), kao i traganje za novim izrazima i koncepcijama književnosti koje će vlastite ideje temeljiti na dehijerarhiziranju vrijednosti i razbijanju nametnutih estetskih normi (estetika ružnoće). Stoga će u ovom diplomskom radu biti provedena detaljna analiza Kamovljeva književnog stvaralaštva koje u hrvatskoj književnosti predstavlja izrazito oštar prekid s poetikama koje su postavili Antun Gustav Matoš i drugi predstavnici hrvatske moderne. Izrazita će pozornost biti posvećena Kamovljevu književnom eksperimentu, tj. književnim metodama i postupcima pomoću kojih je autor postizao stilsku i tematsku destrukciju ustaljenih književnih formi. Drugim riječima, iznijet će se svi bitni elementi Kamovljeva oblikovanja estetike ružnoga nastale tijekom stvaranja, autoru svojstvene, lirike apsurda i sirovosti. Osim poezijskog izričaja u fokusu će se predstavljanja i tumačenja naći i obilježja autorova proznog stvaranja: farsičnost i grotesknost kao sastavnice pripovjednog diskursa.

Abstract (english)

Orderliness of style, ideal of eternal, harmonic beauty, canons of writer's proper and elegant expression and representation of reality and personal, inner experiences in tune with aesthetic principles of traditional literary structures. These were always almost the most important requirements upon which certain literary work is based on. However, during the emergence of avant-garde and its understanding of art, the role and value of aesthetic idealisation became things of the past, I. E. a false beauty represents inauthenticity and false artistic engagement that has no value and originality by itself. The true avant-gardiste par excellence, Janko Polić Kamov has, knowingly or unknowingly, cherished and strongly stood for avant-gardistic denial of contemporary literary forms (poetics of impugnment), as well as the quest for new expressions and conceptions of literature that will base its ideas on deconstructing the hierarchy of values and tearing down of aesthetic norms (aesthetic of ugliness). Therefore, this thesis will try to conduct a detailed analysis of Kamov's literary work. His work gained its place in Croatian literature through breaking off with poetics of Antun Gustav Matoš and other writers of Croatian modernism. A special attention shall be given to Kamov's literary experiment, i.e. his writing methods by which he has acheived stylistic and thematic destructions of commonly accepted literary forms. In other words, all elements of Kamov's aesthetic of ugliness will be presented, elements that occured in the creating of his peculiar lyric poetry, permeated with absurdity and crudeness. Besides the poetic expression, his interpretation of night, along with characteristics of his empty creation, farsity and grotesqueness (components of his narrative discourse) shall also be presented.

• Keywords: Janko Polić Kamov; avangarda; poetika osporavanja; estetika ružnoće; apsurd; grotesknost; farsičnost; književni eksperiment
• Keywords (english): Janko Polić Kamov; avant-garde; poetics of impugnment; aesthetic of ugliness; apsurdity; grotesqueness; farsity; literary experiment
• Language: croatian
• URN:NBN: urn:nbn:hr:111:412023
• Study programme: Title: Department of Croatology; specializations in: scientific, teaching; Course: teaching; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra edukacije kroatologije (magistar/magistra edukacije kroatologije)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2018-09-20 06:45:17