Glazbeno stvaralaštvo kao značajna kulturna sastavnica društva

master's thesis

• Title (english): Musical produce like a signaficant cultural component of society
• Author: Dorotea Sudar
• Mentor: Renato Matić (mentor)
• Committee member: Anita Dremel (predsjednik povjerenstva)
• Committee member: Dario Pavić (član povjerenstva)
• Committee member: Renato Matić (član povjerenstva)
• Granter: University of Zagreb; Faculty of Croatian Studies; (Department of Sociology); Zagreb
• Defense date and country: 2016-09-21, Croatia
• Scientific / art field, discipline and subdiscipline: SOCIAL SCIENCES; Sociology

Abstract

Polazeći od toga da je glazbeno stvaralaštvo važna odrednica pojedinih društava nastoji se pokazati kako nas glazbeni odabir određuje htjeli mi to priznati ili ne. Sociologija glazbe kao dio sociologije, općenito, ima svoje elemente i metode kroz koje se ostvaruje. Početno tumačenje sociologije glazbe bilo bi da ona proučava međusobni odnos glazbe i društva. Sociologija glazbe ima za zadatak analizirati odnos glazbe i publike, glazbe i društvenih klasa, slojeva te glazbe i samog kompozitora. Na području sociologije glazbe veliki je doprinos dao Theodor W. Adorno. On je smatrao kako je glazba predstavljala izražavanje temeljnih društvenih procesa i težnji. Adorno je bio mišljenja da ako se glazba stvara kao potrošačko dobro, to je ono što određuje njezinu kulturnu kvalitetu. Popularna glazba za njega je sredstvo putem kojeg se ostvaruje profit, ali i sredstvo kojim se zadovoljavaju potrebe za koje ispada da su lažne. Popularna glazba upravlja navikama slušatelja i čista je iluzija to da smo stavljeni u poziciju birati proizvode koji su u načelu isti. To je ono što odvodi u komercijalizaciju proizvoda. Općenito, masovna kultura ima zadaću u isto vrijeme stvarati lažni individualizam i lažni kolektivizam. Pri pogledu na glazbenu umjetnost kroz povijest je uočljiv jaz između popularne i „visoke“, elitne kulture. Masovni mediji i tehnologizacija potpomogli su u tome da je glazba za slušanje omogućena gotovo svim društvenim slojevima, a da je ona bila značajan faktor pokazalo je i razdoblje između dvaju svjetskih ratova u Zagrebu kada se glazba popularizirala i bila zastupljena u domovima ljudi što putem radija, što putem gramofonskih ploča koje su se potraživale.

Abstract (english)

Starting from that musical produce is very important component of some society, it seeks to demonstrate that our musical selection determining us if we want to admit it or not. Sociology of music as a part of sociology, generally, has its own elements and methods through which it realize. Initial interpretation of sociology of music is that it researches relationship between music and society. Task of sociology of music is to analyze relationship between music and audience, music and social classes, stratum and between music and mere composer. In the field of sociology of music Theodor W. Adorno contributed so much. He considered that music represents expression of basic social processes and aspirations. Adorno thought that if the music produce with the aim of consumptive good than it determines its cultural quality. For him popular music is a medium through which can achieve profit, but a medium through which can satisfy false needs. Popular music manages with hearers routine and it is pure illusion that we are placed in position that we can choose products which are generally the same. That situation takes us into commercialization of product. Generally, mass culture has a task in the same time to produce false individualism and false collectivism. On the view of musical art through history it can be seen conflict between popular and „high“, elit culture. Mass media and technologization support that music for listening is enabled almost to all social stratum, and that it was a significant factor in period among two world wars in Zagreb when music became popular and represent in households by way of radio and gramophone records for which were searched in that times.

• Keywords: sociologija glazbe; Theodor W. Adorno; popularna glazba; glazba u društvu
• Keywords (english): sociology of music; Theodor W. Adorno; popular music; music in society
• Language: croatian
• URN:NBN: urn:nbn:hr:111:306639
• Study programme: Title: Department of Sociology; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra sociologije (magistar/magistra sociologije)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Access restricted to students and staff of home institution
• Created on: 2016-10-06 07:36:27